Best two reviews:
1) Consequence of Sound - As the latest installment in what has become its own subgenre at this point, The Commuter serves as a fine example of the kind of tightly-coiled thriller that Neeson and Collet-Serra can do together in their sleep. (Rating: 75) Read Full Review >
2) San Francisco Chronicle - It weds all the winning aspects of the Neeson formula to a ticking-clock plot, full of tense moments and gripping sequences. (Rating: 75) Read Full Review >
Worst two reviews:
14) Time Out - It’s a zingy set-up but just as quickly, it hits the skids. (Rating: 40) Read Full Review >
15) Washington Post - The story (by Byron Willinger, Philip de Blasi and Ryan Engle) does not exist to serve the needs of logic, but those of Neeson, who, as has become his habit in this sort of thing, delivers, at minimum, a modicum of guilty pleasure as the middle-aged, tender-but-tough Everyman in a tight spot. (Rating: 37) Read Full Review >
1) Consequence of Sound - As the latest installment in what has become its own subgenre at this point, The Commuter serves as a fine example of the kind of tightly-coiled thriller that Neeson and Collet-Serra can do together in their sleep. (Rating: 75) Read Full Review >
2) San Francisco Chronicle - It weds all the winning aspects of the Neeson formula to a ticking-clock plot, full of tense moments and gripping sequences. (Rating: 75) Read Full Review >
Worst two reviews:
14) Time Out - It’s a zingy set-up but just as quickly, it hits the skids. (Rating: 40) Read Full Review >
15) Washington Post - The story (by Byron Willinger, Philip de Blasi and Ryan Engle) does not exist to serve the needs of logic, but those of Neeson, who, as has become his habit in this sort of thing, delivers, at minimum, a modicum of guilty pleasure as the middle-aged, tender-but-tough Everyman in a tight spot. (Rating: 37) Read Full Review >
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