Best two reviews:
1) Village Voice - Gray has a knack for wrapping big themes into an intimate embrace, and The Immigrant feels both epic and fine-grained. (Rating: 100) Read Full Review >
2) Time Out New York - You may often find yourself second-guessing the film, questioning how—and if—it will all come together. But by the time of the intense and impassioned climax, a storm of emotion is ensured: a great movie rising before you like a delusion, like a dream. (Rating: 100) Read Full Review >
Worst two reviews:
10) The Guardian - The Immigrant is certainly different: but Gray seems to run out of ideas and the film is shapeless and unsatisfying. (Rating: 40) Read Full Review >
11) The Telegraph - Dialogue aside, the craftsmanship is unimpeachable, and Gray takes a timeless approach to pacing and camerawork: even the sunlight is sepia-tinted. But the grand themes of loyalty and ambition never catch fire, and the film’s few truly memorable moments are invariably its smallest. (Rating: 40) Read Full Review >
1) Village Voice - Gray has a knack for wrapping big themes into an intimate embrace, and The Immigrant feels both epic and fine-grained. (Rating: 100) Read Full Review >
2) Time Out New York - You may often find yourself second-guessing the film, questioning how—and if—it will all come together. But by the time of the intense and impassioned climax, a storm of emotion is ensured: a great movie rising before you like a delusion, like a dream. (Rating: 100) Read Full Review >
Worst two reviews:
10) The Guardian - The Immigrant is certainly different: but Gray seems to run out of ideas and the film is shapeless and unsatisfying. (Rating: 40) Read Full Review >
11) The Telegraph - Dialogue aside, the craftsmanship is unimpeachable, and Gray takes a timeless approach to pacing and camerawork: even the sunlight is sepia-tinted. But the grand themes of loyalty and ambition never catch fire, and the film’s few truly memorable moments are invariably its smallest. (Rating: 40) Read Full Review >
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