Best two reviews:
1) The New York Times - Kevin has the potential to be the mawkish child or the obnoxious little adult so common on screen, but he is neither. Played with great glee by Macaulay Culkin, he is a totally endearing, up-to-the-minute little boy. (Rating: 80) Read Full Review >
2) Washington Post - This holiday contender from John Hughes is too crass, too loud and too violent to be added blithely to Christmas viewing traditions. But it is funny. (Rating: 80) Read Full Review >
Worst two reviews:
7) Empire - So it may not be Citizen Kane, but it is a hilarious comedy (although not a very believable one — there can be no eight-year-olds this ingenious) that kids will love and adults won’t mind sitting through either. (Rating: 60) Read Full Review >
8) Chicago Reader - The movie is quite enjoyable as long as it explores the fantasy of a neglected little boy having an entire house of his own to explore and play in, but the physical cruelty that dominates the last act leaves a sour taste, and the multiple continuity errors strain one's suspension of disbelief to near the breaking point. (Rating: 50) Read Full Review >
1) The New York Times - Kevin has the potential to be the mawkish child or the obnoxious little adult so common on screen, but he is neither. Played with great glee by Macaulay Culkin, he is a totally endearing, up-to-the-minute little boy. (Rating: 80) Read Full Review >
2) Washington Post - This holiday contender from John Hughes is too crass, too loud and too violent to be added blithely to Christmas viewing traditions. But it is funny. (Rating: 80) Read Full Review >
Worst two reviews:
7) Empire - So it may not be Citizen Kane, but it is a hilarious comedy (although not a very believable one — there can be no eight-year-olds this ingenious) that kids will love and adults won’t mind sitting through either. (Rating: 60) Read Full Review >
8) Chicago Reader - The movie is quite enjoyable as long as it explores the fantasy of a neglected little boy having an entire house of his own to explore and play in, but the physical cruelty that dominates the last act leaves a sour taste, and the multiple continuity errors strain one's suspension of disbelief to near the breaking point. (Rating: 50) Read Full Review >
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